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Death of the Sifu

Dr. Gregory T. Lawton

The origin of the traditional martial arts is shrouded in mystery and myth. At the fountainhead of the history of martial arts, and in the majority of martial art systems, is the story of a great teacher. This great teacher, or sifu, is the martial arts warrior, or sage, who is credited with creating the body of knowledge that late, becomes a martial art system to be passed down through oral tradition and rigorous training to successive generations of students. Occasionally, written materials such as a master raining manual were also passed down through traditional lineages. In addition, when the lineages were broken, the knowledge of that martial art system was lost. For individual martial art students, the sifu likely served as a father, teacher, trainer, priest, and role model. 

This article investigates the traditional lineage system for the transmission of martial arts knowledge through the sifu, and addresses the question of whether or not the role played by the traditional sifu still serves the needs of individuals who are training in contemporary martial arts. 

Every nation and cultural group in history has had their heroes and all cultures have romanticized and exaggerated the abilities and exploits of these heroes. From the heroic stories of Greek mythology, we have heroes like Hercules, Achilles, Jason, Odysseus, Perseus, Theseus, and the Amazons. In the recorded chronicles of their lives and exploits, there is found a history of civilization, war, love, philosophy, myth, whether fact or fiction, interwoven ithin the fabric of a single story. In more contemporary times, we have grown up with stories about heroes like Robin Hood, Davy Crockett, and Daniel Boone. 

In Asian historical literature, we find a similar blending of fact and fiction, perhaps to an even greater degree. Western readers usually expect that the books they read are classified as either fiction or non-fiction. In Asian literature; however, this distinction is usually not made, especially in works of ancient and modern literature that pertains to the martial arts. Just as Western historians blended fact with fiction in the stories of great civilizations and heroes, Asian historians and writers have done similarly throughout recorded history and, in particular, over the past two or three centuries. 

Before the Tang dynasty (617-907) the Chinese literary tradition made no clear distinction between the modern categories of fiction and non-fiction, although elements of what we would call fiction were present.(1) 

To say that the traditional martial arts were confused by the merging of fact and fiction would be an understatement as the written manuscripts and oral traditions led to major disagreements among the martial artists. To understand the scope of the problem, different people reading the same material would draw different conclusions depending on whether they felt the information was fact or fiction. 

The combining of fact, myth, and superstition within the martial art literature was further confounded by the general lack of written historical information. Detailed information about key historical figures in the Asian martial arts was missing, which led some historians to "fill in the blanks" on their own. Many of the "historians" of the martial arts were also martial artists, studying with a "sifu" and this makes their accounts and conclusions less objective. Their research was likely biased and frequently lacking in scientific rigor. In addition, poor verbal and written Asian language skills, a lack of knowledge about Asian history, and a lack of awareness about the cultural and social milieu of Asian nations, especially the caste system, were complicating factors. 

Another major issue that plagued the validity of the existing body of knowledge and prevailing opinions derived from the Asian martial art literature was the falsification of records, and the premeditated destruction of the historical records for political and financial gain. 

Noted contemporary martial artist and author Harvey Kurland commented that: 

The senior students of Yang Shao-Hou, who did not become disciples of (Yang) Cheng-Fu, were written out of the Yang family lineage after the death of (Yang) Shao-Hou and for that reason are not as well known.(2) 

So far, the discussion has been focused on the issue of an overall unreliability of the Asian martial arts historical literature. Since much of the contemporary Asian martial arts literature is based on historical accounts, both written and oral, its reliability is equally suspect. Numerous examples from modern martial arts literature illustrate how the same fiction and mythologies are passed along from earlier historical accounts. 

From a practical point of view, one might ask how the continued transmission of fiction and myth adversely affects training in the martial arts? If a student begins studying the martial arts as a purely recreational or leisure activity, without intending to use its martial applications, one could argue that it is unimportant that the student is learning baseless skills and information. In fact, some students seem to relish this kind of knowledge and practice. If, however, other students are soldiers or law enforcement professionals who might need to apply their skills in defense of their life or the lives of others, then what they learn and how they apply that knowledge becomes crucial for the protection and preservation of life. 

At the center of all martial arts learning and for the continued transmission of knowledge, is the sifu, who is usually the primary source of information and training. Because of the nature of the student/teacher relationship, students trust that the information they receive is true and effective. In the traditional Asian martial arts; however, this may not be the case. Although the purpose of this article is not to disparage any teacher or system of martial arts, the facts reveal several common failures of the traditional sifu system of training:

1. The "curriculum" of traditional Asian martial arts is based on fiction, myth, and superstition and the sifu often perpetuates this false information and training. 

2. A sifu's claim to rank and lineage is often fraudulent, or misrepresents the sifu's training and ability. 

3. Some sifu's attempt to inculcate a relationship of dependency and control over the lives and affairs of their students. 

4. The traditional Asian martial arts are composed of many different systems of martial arts that have different techniques and training methods. No universally agreed upon standardized training technique or method of practice exists to ensure the safety of students. Thus, students are at increased and unnecessary risk of injury due to poor or improper training methods. 

Some sifu's make greatly exaggerated claims about their abilities and promote psychic and metaphysical beliefs to impress and manipulate their students. As a result, a sifu may achieve personal recognition and fame and benefit financially. Due to modern information sharing, that is both rapid and transparent, the credentials and claims of some ranking martial artists have been shown to be fraudulent. Such fraudulent claims commonly include false claims about studying with noted teachers, claiming to have an unearned rank or lineage, and exaggerations about the number of years studying with a particular teacher, or within a system or style of martial arts. 

Some of the fantastic and exaggerated claims made by martial arts teachers have included: the ability to render opponents unconscious without physically touching them; the ability to psychically transport a body from one location to another; the ability to levitate; and the ability to dodge bullets or to become impervious to gun fire. Numerous examples of these claims have been produced by past and current martial artists. Indeed, many modern students of the martial arts believe that a goal of their training is to be able to perform these supernatural feats.(3) From the perspective of diagnostic psychology and psychiatry, individual martial artists who have made such exaggerated claims would appear to be suffering from various forms and degrees of narcissism, paranoia, and delusion. 

In the article, "Dangers of self-proclaimed masters," martial artist and author Don Cunningham, a debunker of supernatural, fraudulent, and delusional claims made by martial artists, refers to the psychiatrist Dr. Mariam Cohen who stated: "It's possible they feel powerless, weak and frightened in most other areas of their lives, and therefore are attracted to the image of power." Dr. Cohen further states: "There is also the image of the 'master' who is capable of defeating all enemies and has incredible wisdom. If you're struggling with 'inner demons' and fears of your own weakness, this is an incredible image to connect to, to hope to be perhaps."(4) 

Within the lineage system, myth, superstition, metaphysical and occult practices are inculcated and transmitted via an unhealthy system of dogmatic "blind faith". After all, the lineage student is charged with retaining the system's "knowledge" intact from the masters who preceded him. Certainly, if the body of knowledge is based on scientific principles of training and conditioning, and proven methods of combat, then retaining this knowledge is valuable, but if the system is permeated with superstition, metaphysical beliefs, and occult practices, the system will be without merit.

 A cult of personality is defined as extreme devotion to an individual person, and while similar to general "hero worship," this extreme form of devotion is the adulation of a specific personage. Margaret T. Singer. Ph.D., former Professor in the Department of Psychology, University of California at Berkeley stated: "Historically, the power of certain persons to dramatically influence others was considered supernatural, i.e., the influencer was a magician or witch with secret potions and arcane knowledge, or had godlike qualities. Some people have attained compliance from and influence over others through coercion, brutality, or the wielding of religious, political, or financial powers.(5) The martial arts community has always had numerous examples of individuals or lineage students who contribute to the creation or maintenance of a cult of personality around a living or deceased "grandmaster". In a number of ways, the promoters of a cult of personality gain from this activity. In the martial arts community, knowledge is equated to power and money. Any claims to a direct lineage, or to exclusive secrets and superior abilities and styles are the "keys to the kingdom" for recognition and reward. 

The traditional martial arts are in an area of human knowledge where knowledge of the past is felt to be more important that modern discovery or innovation. At the beginning of the 20th century, martial art reformers, such as Chen Pan Ling, attempted to "modernize" the Chinese martial arts. Chen Pan Ling, in the preface of his original book (Tai Chi Chuan Chiao Tsai), states: "If we can but standardize nomenclature, theory, postures, and movements, our martial arts will rapidly increase in popularity, not solely in China, but throughout the world."(6) Chen Pan Ling was only marginally successful in attracting the martial arts communities to his call for reform. In all fairness, Chen Pan Ling was attempting to reform not only the martial arts, but the stubbornly inculcated religious beliefs that were based on concepts like "ancestor worship" and "filial piety". Richard C. Bush, author and historian of ancestor worship, wrote: 

The veneration of ancestors by royal families and common people alike reveals several reasons for ancestor worship. People wanted their ancestors to be able to live beyond the grave in a manner similar to their life-style on earth; hence the living attempted to provide whatever would be necessary. A secondary motive lurks in the background: if not provided with the food and weapons and utensils needed to survive in the life beyond, those ancestors might return as ghosts and cause trouble for the living.(7)

 Another concept commonly seen in Asian culture is filial piety, which is the devotion and obedience by younger members of a family to their elders. Although this concept existed in Asian cultures, prior to Confucius, it is often identified with his teachings, and in The Analects, Confucius said, "A young man should be a good son at home and an obedient young man abroad…" In The Classic of Filial Piety, we find, "The services of love and reverence to parents when alive, and those of grief and sorrow to them when dead - these completely discharge the fundamental duty of living men."(8) 

Within the lineage descendents of teachers of the traditional martial arts, we still see evidence of behaviors and beliefs associated with "ancestor worship" and "filial piety". These behaviors and beliefs exist because the teachers of the traditional martial arts also taught varying degrees of Asian philosophy and religion. Some contemporary Western students of Asian martial arts have personally adopted Asian philosophies and religions, blending them into their study and application of the traditional martial arts. The adoption of Asian philosophy and religion by traditional martial artists, in combination with the acceptance of aspects of ancestor worship and filial piety, contributes to the manifestation of a cult of personality within the traditional martial arts. 

The hierarchy of the lineage system in the Asian martial arts raises several additional questions: 

1. Is the lineage student the best of the master's, or the best student in the system? The history of certain martial arts suggests that this was not the case. 

2. Is the "master" of a system (the person from where the lineage originated) necessarily the best practitioner or teacher of that system? 

3. Are all of the great martial artists known? 

4. Were some martial artists unconcerned about being famous? 

5. Did some great martial artists choose not to teach or publish their work and thus remain unknown? 

6. Is the lineage system the best method for transmitting knowledge to future martial artists? 

Chinese martial artist Tang Hao (1897-1959) addressed some of these questions and called for reform. From his published opinions he was attacked for his 'heresy' and several attempts were made to arrest and imprison him.(9) Many familial and societal pressures were placed on students of the martial arts that restrained them from being free of dogma and superstition. Even among the few who broke from the dogmatic traditions of the prevailing martial arts and created new and innovative approaches, some created new "lineages" or mythologies to explain the origins of their knowledge and abilities. For example, in the martial art baqua, its founder Dong Hai Chuan is claimed to have related the origin of this martial art to a mythical Taoist immortal. 

Every style of martial arts has its fountainhead and some claim that their martial art began with a mystical figure or perhaps a Taoist immortal in the Wudang Mountains. In an essay by Gu Lieu Xing (In Memory of Tang Hao), Gu states, "In the 1930's, people in the martial art circles of our nation clung too much to the idea and the importance of lineage, and this caused major disputes…" Rigorous research by scholars and historians, such as Tang Hao, have shown that at the fountainhead of every martial art is a common man who, through hard work and effort (kung fu), and by building on the work of predecessors, he was able to achieve innovation, and contribute to the evolution of knowledge and advancement of the martial arts. 

In 1844, the invention of the telegraph by Samuel Morse brought the arrival of a new era in global human communication, and along with it came the death of the sifu. The first message sent via telegraph was, "What hath God wrought?" Indeed, over the course of several centuries, the sifu had been the singular source of knowledge for the marital arts. With modern communications and the multitude of communication devices which have appeared in the last 150 years, historical records and documents, copies of original manuscripts, translated words of the founders of martial arts systems, are available through rapid large-scale global data searches. With the introduction of film, video, digital media, and other online media techniques, most forms and systems of martial arts are available to students of the martial arts in an unprecedented abundance in the new era of information access. 

Knowledge is essential for so many human activities and values, including freedom, the exercise of political power, and economic, social and personal development. (10) 

Was the role of the traditional sifu supplanted by the availability of information in the age of technology and communication? Certainly the technological advances have enhanced the ability of martial arts students to access information and to communicate directly with teachers and other students online. Web and video conferencing can even allow students and teachers to communicate verbally and visually through webcams, so that training sessions can be conducted online. Moreover, this high level of access and communication has facilitated the investigation of teacher claims about their work, publications, rank, lineage, and history, etc. 

If we strip away the esoteric, psychic, metaphysical, occult, superstitious, and fictitious elements of the traditional Asian martial arts, what is left? In most cases, the central theory, which allows for advancement and the evolution of a particular martial arts system, is the remaining element. In baqua, for example, the central idea was to use continually changing postures and positions, accompanied with moving behind the opponent, which led to the system's fighting concept as seen today. 

Why are the contemporary innovators and creators in the martial arts community denigrated and criticized? The answer seems to stem from the ignorance about the unsubstantiated, conflicted, and shaky history of the martial arts. Over time, falsities and facts have become blurred in the minds of the ignorant or gullible. The abilities of teachers became exaggerated or were moved into the realm of the supernatural. As a consequence, these kinds of beliefs make it impossible for living breathing men and women to live up to the fiction. 

Another evolutionary step occurring in the martial arts is taking place in two areas. First, the emerging and developing mixed martial arts are quickly adapting modern scientific methods of human performance conditioning, as derived from exercise physiology, biomechanics, and sports science. Second, knowledge and skills are expanding in relation to the combat martial arts. Because of the high degree of athleticism and risk involved, these areas rely on no nonsense pragmatic approaches in the martial training and fighting applications. Of course, some limitations are used in the rules of engagement for sports martial arts, in comparison to combat martial arts, where the objective is to maim or kill an enemy, but today's mixed martial artist is generally a well-conditioned, multi-skilled athlete. (11)

Mixed martial art trainers are often athletic coaches and seasoned fighters, with backgrounds in boxing, wrestling, and the Asian fighting arts. The fighters are commonly trained by "teams" comprised of athletic coaches and martial artists. Trainers often have credentials in one or more of the following areas: coaching, sports science, sports medicine, human performance testing, personal training, and exercise physiology. The traditional martial arts use of rank and lineage, while possessed by some fighters, may be of little importance in the new system. In the ring, on the platform, or in the cage, when combatants are on equal footing, and in one-on-one combat, spectators pay little attention to the color of a belt or the lineage of a fighter, but tend to focus only on the substance and ability of the martial artist. 

The modern fighting arts are now evolving into the kind of scientific martial art that was envisioned by Tang Hao in the 1930's. Nevertheless, continuing to promote false information and superstition in the martial arts community and especially among martial arts teachers is counter-productive to the advancement of the marital arts. 

About the author: 

Dr. Gregory T. Lawton is a health science writer with over 100 publications to this credit. Dr. Lawton has enjoyed a lifetime of training in the martial arts, including boxing, wrestling, kenpo, and the Chinese internal martial arts. He served in the U.S. Army from 1965 to 1968. In the mid-1970's, his instructor in Yang Tai Chi Chuan was the highly regarded Professor Huo Chi Kwang. Dr. Gregory Lawton is a licensed chiropractor, naprapath, and a certified acupuncturist. 

Definitions of terms: 

Baqua (Pakua): 

is considered one of the three great internal martial art systems of China along with Tai Chi Chuan and Hsing Yi. Baqua incorporates principles of continuous movement, and the changing of postures and hand positions along with the intent of moving into the weakest areas of an opponent's defense, including to the rear of the opponent. The baqua are also the eight trigrams described in the I Ching; the combinations of whole and broken lines represent the ever-fluctuating elemental forces of the universe. 

Mixed Martial Arts: 

are a full contact combat sport that allows a wide variety of fighting techniques, from a mixture of martial arts traditions, to be used in competitions. The rules allow for striking and grappling techniques, both while standing and on the ground. 

Modern Martial Arts: 

are those which have been largely developed over the last 100 years and include combat and tactical fighting arts, as well as contemporary sports martial arts such as mixed martial arts. 

Traditional Martial Arts: 

are those having both an internal and an external system, that date back to the earliest history of martial arts, or martial arts that reflect the same formal structure of master and lineage transmission, but may only be two or three centuries old. Examples include Chinese Kempo, Tai Chi Chuan, and baqua. 

References: 

1. Holcombe, Charles. (1990). Theater of combat: A critical look at the Chinese martial arts. Vol. 52 May 3. pp. 411-431. Michigan State University Press. 

2. Kurland, Harvey. (1998). Article. May T'ai Chi Ch'uan and Wellness Newsletter. 

3. Friedman, Harris. (2005). Problems of Romanticism in Transpersonal Psychology: A Case Study of Aikido. The Humanistic Psychologist, Vol. 33 No. 1. pp. 3-24. 

4. Cunningham, Don. (2002). Dangers of self-proclaimed masters. Furyu: The Budo Journal of Classical Japanese Martial Arts and Culture. Vol. 10 No. 7 (Summer-Fall). 

5. Singer, M. T. (1987). Group psychodynamics. In: R. Berkow (Ed.), Merck Manual, 15th ed. Rahway, NJ: Merck, Sharp, & Dohme. 

6. Chen, Pan-Ling. Chen Pan-Ling's Original Tai Chi Chuan Textbook (Tai Chi Chuan Chiao Tsai). (1998). Transliterated by Y.W. Chang, Translated by Ann Carruthers, Ed.D. Page xxiii, Blitz Design, New Orleans, LA. 

7. Bush, Richard C. (1977). The Story of Religion in China, p.2. Argus Communications, Niles, IL. 

8. Mueller, Max, ed., (1879-1910) Vol. III, p. 448. Sacred Books of the East, Krishna Press (50 Volumes), London, England. 

9. Kennedy, Brian and Elizabeth Guo. (2005). Chinese Martial Arts Training Manuals, a Historical Survey. pp. 39-53, North Atlantic Books, Berkeley, CA. 

10. A2K (Access to Knowledge) Treaty, Consumer Project on Technology. (May 9 2005), Available online at: http://www.cptech.org/a2k/ 

11. Rooney, Martin. (2008). Training for Warriors, The Ultimate Mixed Martial Arts Workout. pp. 7-17, Harper-Collins Books, New York, NY.

 

Donn Schucker, Executive Director
P.O. Box 2171
Florissant, MO 63032-2171
Phone: (314) 606-7306
Email: ds@smaa-martialarts.com

 

 

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 Schucker Martial Arts Association (SMAA)